Marzio Zorio

His research focuses on the creation of large-scale installations, in which the sound component is of fundamental importance, focusing on the spatial properties of sound and the relationship it has with the environment, architecture and human beings.
He participates in numerous solo and group exhibitions, in Italy and abroad. In 2026 he was selected among the winners of the Italian Council, in 2020 he won the #raccontoplural award organized by the CRT Foundation of Turin. In the musical field, he collaborated with Nicolas Jaar creating musical instruments used for his concerts and for the production of the album Telas (2020) and, later, composing a track for the album Caves – A Compilation of Silence, published by Jaar’s Other People record company. He has created performances such as Concerto per legno e ossa together with the artist Francesca Cola and is part of the duo BRUMA together with the artist and musician Bruna with whom he creates live performances and experiments with sound. Recent solo and group exhibitions include: Listening post, Fondazione Bevilacqua La Masa, Venice (2023); Experimentum crucis, Excaserma Cassonello, Noto (2022); Princìpi – Building for generations, Biennale Tecnologia, Politecnico di Torino, Turin (2022); SUPERLAB, Bicocca Superlab, Milan (2022); Condition of the whole – Majority report, Galleria 10 & zero uno Venice (2022); Library, Palazzo delle Esposizioni, Sala Santa Rita, Rome (2020); Artissima Sound, OGR, Turin (2018); The third day, Palazzo del Governatore, Parma (2018); If calling, Casa del Mantegna, Mantua (2017). He is the founder of SONRO – I Sound Every Night in the Rovescio dei miei Occhi – a collective made up of artists, curators and art historians that explores and disseminates practices related to sound in the visual arts.

At the gallery